Made mostly of re-recorded
new songs, this first " international" output by Mew therefore draws
inevitable comparisons with the band's early stuff. Of course, it would
have been better to discover " Frengers" with fresh ears, without knowing
anything about these Danes and the albums they previously recorded in
their native country. But weren't we fans right from the start ??
Formerly on " Half
The World Is Watching Me" ( their second album only released in Denmark),
opener Am I Wry ? No definitively sweeps away any fear that Mew
could turn MOR now they're on a major company. The original cut was
already close to perfection, but here, this multi-layered pop gem gets
a new dimension with a mix that focuses on rhythms ( the drumming is
particularly impressive) and gives the guitars a compelling ass-kicking
power. As a result, the song is more dynamic and punchier, definitely
better than the original version. The wonderful 156 ( again from
" Half The World...") also benefits from this vigorous treatment that
emphasizes the contrast between the verse and the chorus to arresting
effect. One may regret the subtleties of the former recording, but this
new approach is obviously far more effective. It still prevails on Snow
Brigade, a quite pleasant new song yet too much in the Am I Wry
? No to fully jusify its presence here. Of the new tracks, Behind
The Drapes is the most easily forgettable, hardly more than a neat
transition between the first and second part of the album. More interesting,
She Spider starts with a deceptively quiet intro, then suddenly
kicks off and hits hard, culinating in a surprisingly dissonant guitar
solo. But best of all is the gentle Eight Flew Over, One Was
Destroyed, which displays a gorgeous heart-melting melody that fits
perfectly to Jonas Bjerre's alluring falsetto.
As brilliant as the
production may seem at first, it doesn't work on every track though.
A blatant failure is the new version of Her Voice Is Beyond Her Years,
that priceless pearl from " Half The World Is Watching Me". Now
shortened of its intro and coda, the song just seems senseless, deprived
of all the magic that graced the original. Bad trick for de luxe
guest-star Stina Nordenstam ! She Came Home For Christmas also
suffers from this obsessively laboured soundscape, both contrived and
artificial. The new recording has neither the baroque beauty of the
1997 single-mix, nor the moving simplicity of the former version ( on
Mew's debut " A Triumph For Man"). Predictably, slow number do not harmonize
with the boosted production as well as fast ones do. At least, Comforting
Sound - the atypical 9-minute long single - manages to stay almost
unscathed, even if a bombastic finale involontary summarizes some of
the album's problems. And fortunately, nothing can spoil the sheer radiance
of Simmetry, Mew's masterpiece, still blessed with the thin,
indelible croon of of American teen Becky Jarret: a pure cracker !
So what ? Why chosing
" Frengers" as " Album Of The Month", if " Half The World Is Watching
Me" is still Mew's best record to date in our opinion ? Just because
Mew is a truly great band, still worthy of all the faith we put in them.
Far too long in the making, " Frengers" may not be the decisive step
ahead we were waiting for, nor the record that will give the band the
international fame they really deserve. But it's just a matter of time...
Be ready.
MEW :
http://www.mewsite.com/
LABEL (DK) :
http://www.evil-office.net/
LABEL ( Rest of the
world):
http://www.sonymusic.com/